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User Reviews

Who said sequels arent any good? "Terminator 2" is the ultimate sequel, a big bad wolf ready to chomp the head off of anyone who crosses its path. Its dark, its mean, and its one tough movie. Its not as bleak as the first film, at least in terms of visuals, but rather has a new kind of bluish-tint that supplies a great backdrop to the ongoing battle between man and machine.

 If there was ever a contemporary mainstream visionary director, it is James Cameron. Here weve got Camerons real thoughts on the series, those repressed by a low budget in the original film. He lets loose here, filling every frame with hard-boiled action and special effects. He introduces a liquid metal Terminator that he wanted to use in the first film, but graphic processors and CGI were not advanced enough in 1984, at least not advanced enough to work on the low means he had to film the original. So his original dream is finally unveiled, and good golly, is it wonderful.

 Yeah, hes "back." Arnold (like he needs any introduction?) returns as The Terminator, Series T-101, Model T-800, an indestructible cyborg sent from the future to assassinate Sarah Connor (Linda Hamilton) in the first film. Well, its 1991. New film. New mission. He has to save the future resistance leader of mankind who will ultimately defeat the machines of the future, John Connor (Edward Furlong), Sarahs 11-year-old son. (Though his age has been switched from 11 to 13 and back to 9 over the years, with no help from the third film that takes place in 2003, yet claims he was 13 in 1991 though his age doesnt match with his age in the third. Well just leave it at 11 in this film. Got that?)

 Another model Terminator, the T-1000 (Robert Patrick), has been sent back to 1991 programmed to annihilate John Connor. Which explains Arnolds appearance. Arnold, an undoubtedly lesser opponent compared to the T-1000, has to help save the day and learn to appreciate humanity. It wont be easy. First, he has to find John Connor, who is a rebellious angst-driven pre-teen living with foster parents. Then, together they have to break into the local loony hospital and release Sarah from the clutches of Dr. Silberman (Earl Boen), who believes Sarah is delusional. (You may remember Silberman as the psychiatrist from the first film, too.) Then, they have to stop a computer chip designer (Joe Morton) from creating the first version of a SkyNet computer, modeled after a destroyed chip his employment company discovered at a large mechanical warehouse. (Which is, of course, the chip from the destroyed T-800 of the first film.)