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Barbershop The Next Cut 2016 Free Full Hd Movie download

Barbershop The Next Cut (2016) Free Full Hd Movie download 

Movie Info :

Its been more than 10 years since our last appointment at Calvins Barbershop. Calvin and his longtime crew, including Eddie, are still there, but the shop has undergone some major changes. Most noticeably, our once male-dominated sanctuary is now co-ed. The ladies bring their own flavor, drama and gossip to the shop challenging the fellas at every turn. Despite the good times and camaraderie within the shop, the surrounding community has taken a turn for the worse, forcing Calvin and our crew to come together to not only save the shop, but their neighborhood.

Rating:

PG-13 (for sexual material and language)

Genre:

Comedy

Directed By:

Malcolm D. Lee

Written By:

Kenya Barris , Tracy Oliver

In Theaters:

Apr 15, 2016  Wide

On DVD:

Jul 26, 2016

Box Office:

$54,014,580.00

Runtime:

112 minutes

Studio:

Warner Bros. Pictures

Story Line :

 To survive harsh economic times, Calvin and Angie have merged the barbershop and beauty salon into one business. The days of male bonding are gone as Eddie and the crew must now contend with sassy female co-workers and spirited clientele. As the battle of the sexes rages on, a different kind of conflict has taken over Chicago. Crime and gangs are on the rise, leaving Calvin worried about the fate of his son. Together, the friends come up with a bold plan to take back their beloved neighborhood.

Trailer :

Barbershop The Next Cut (2016) Free Full Hd Movie download 

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Thai galangal root can fight cancer

According to London researchers from the Kings College, eating spicy Thai curry or other Thai food spiced with Galangal, could restrain the growth of cancer cells.

Tests have revealed that Galangal (Alpinia galanga) a ginger-like root know as Kha or Siamese ginger and in Thailand mostly used to flavor many Thai food dishes, appears to kill cancer cells.
A scientific team from the Kings College in London, believes the galanga root can not only fight human cancer cells but also protect healthy cells from developing into cancer cells.

Galangal, the ginger-like root, is used as an alternative treatment for stomach cancer in most of Thailand and also taken as an aphrodisiac.

The London researchers who tested galangal-root extracts on breast and lung cancer cells uncovered that the Thai herb reduced incidence of the disease more than three-times.
Experiments have proven the claim that galangal could treat cancer.

But we need to conduct more tests, said Professor Peter Houghton, study leader of the Kings College scientific team.

What is Galangal: The Thai herb Galangal (known in Thailand as Kha) is an erect annual plant with aromatic, ginger-like rhizomes. It is most commonly used in Thailand as a spice in Thai cooking and this for over 1,000 years. Galanga is also known as Siamese ginger or Kha

In Thailand and most other countries in Asia, the Galangal root is also used as an alternative medication for arthritis, diabetes, diarrhea, spasms and to combat inflammation and bacteria.
The name Galangal is a corruption of the Chinese word for ginger.

Galangal grows in Thailand, India and southern China, and has been introduced to the West by Greek and Arab physicians, its approximately 0.04 percent volatile oil has been proven to be very useful in many therapeutic treatments.

Source: MCOT Thailand News

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BEHIND THE SCENES ON A SOUNDSTAGE

 When you watch a movie or a TV show, you rarely think about the set design, unless it’s something fabulous like Something’s Gotta Give – the movie that influenced interiors for years.   Most sets aren’t that noteworthy.

But…but…

Now that my new favorite show Outlander is in Season II – in Paris,  18th century Paris, no less,  the sets are fabulous and drool worthy.  But, although the setting is Paris, most  scenes are filmed at castles and gardens in Scotland and England – locations that are substitutes for Paris, such as Wilton House was.  The exterior scenes were filmed in Prague, not Paris.  Not one scene was filmed in Paris – at all.

The majority of the scenes take place on the soundstage that is located in Cumbernauld, Scotland.  Certainly not Paris. It’s hard to imagine how a soundstage in Scotland can become 18th Century Paris, but it does. 

Recently Starz published pictures of the soundstage showing how the different sets were created.   Since one of the most exquisites sets is Claire & Jamie Fraser’s Paris Mansion – I thought I would show you how the soundstage set goes from this:

The empty soundstage in Cumbernauld, Scotland – this soundstage then becomes  Jamie & Claire’s Parisian house:

  Yes.  That huge, empty soundstage becomes this set – which is so beautiful that when Caitriona Balfe who plays Claire first saw the set, said she wanted to move in here, for good.

Besides Starz releasing behind-the-scenes photos of the sets, they also showed the working models – something I wish they had done on Season One!

The Production Designer is Jon Gary Steele, who is incredibly talented and the Set Decorator is Gina Cromwell. What’s the difference between the two?   Steele designs the sets themselves – he’s the “architect” – while the Set Decorator actually does the interior design.  She shops for the furniture and accessories, just like any decorator would do. I’ve never really understood the difference before between those two, until I saw the working models and drawings – and realized that the Production Designer is probably an architect, or at least has drafting  experience.

This is the to-scale model of Jamie & Claire’s apartment in Paris.  Jon Gary Steele drew the plans by hand and then had the model made, which is, in turn, used by many of the other departments.   In this plan, there is the 1) Exterior Courtyard 2) Winding Staircase and 3) Two Rooms:   Living Room & Bedroom/Dining Rooms.  The Exterior Courtyard is between the two rooms.  Surrounding it all is a large hall that is completely wallpapered in a tapestry!

This view of the model shows the Exterior Courtyard – in the middle.  The room on the left is the living room.  At the right is the bedroom/dining room.   You can see that the hall behind the rooms has its own tapestry wallpaper – laid out TO SCALE!

A model of the winding staircase with a to-scale actress to be sure it all is correctly proportioned.  Behind the stairs is a large oval oeil de boeuf window, which is typically 18th century.

The set is starting to be built.   The rooms are all upstairs so that their French Doors will overlook the courtyard, as they would in real life.
This is the FOURTH soundstage that Starz/Outlander has built in Cumbernauld, Scotland for this series.  Just imagine for a minute the amount of business this one show has brought to this quiet region.

   Cumbernauld, a new Scotland town of 50,000 – was just recently developed in the 1950s as an offshoot of Glasgow.  Once Outlander is canceled (NO!!!) then other movie productions can rent out the soundstage.  Cumbernauld is hoping to become a destination for film, just as Hollywood is, and then Vancouver became, and on and on.

The building of the apartment continues.   In the center – is the Exterior Courtyard which is located on the ground floor.  The apartment is on the second floor, which allows the French Doors to look down onto the courtyard.

Realize, also, that the apartment is just one of four main sets built on these soundstages:  The Apothecary, The Brothel, and Louise’s Apartment are also built from scratch.

And the scaffolding goes up to build the winding staircase with the oval window.

A peek at the staircase.  This will be where many important scenes will take place.

The two rooms of the apartment – with the exterior courtyard below.  Those are the windows where the French doors will be.

Inside looking out the French doors with their Juliet balconies, overlooking the courtyard.  The walls are painted a French blue/green with gilt moldings.

The crown moldings are gilded, along with pilasters.

Real wood flooring – in a Chevron Pattern.  (Notice, this is not Herringbone.  In Chevron the points meet flush.  In herringbone, the points are staggered:)

Personally, I wish they had chosen to use the Versailles Pattern.  After all, this is 18th century France – and they are hanging out with the King of France at Versailles!  But maybe Versailles Parquet was just TOO expensive to replicate.

The Set Decorator has shown up with fabric to test against the wall color.  How many times have we all done this!!?!

The Hallway:  the tapestry was painted on canvas.  Amazing!   Since it was on canvas, it will be able to be used again on another set.

The arch in the Exterior Courtyard is built – the arch is where the carriages drive through.  Above is the apartment, overlooking the courtyard.

And, here we go!  Claire is in her carriage in the streets of Paris!  Just don’t tell her she is actually in Prague.  Caitriona said when she heard Season 2 was in 18th Century Paris – she was so excited, until she found out they weren’t going to Paris but were going to be filming in Prague and Cumbernauld.  Major disappointment – although everyone ended up loving Prague.

 The Courtyard:

Now, this is Hollywood magic.  Claire’s carriage is seen in Prague – going through the arches to her apartment.  And then…..

Viola!  Her carriages goes through the arch in Prague, and ends up at the Courtyard on Cumbernauld, Scotland’s soundstage.

The soundstage Courtyard.  Not quite 18th century cobblestones, but they are a good substitute.

The courtyard.  That’s the front door to the apartment.  I just wish the stone was a bit more cream than beige.  That’s more in keeping with 18th century Paris.

Claire, in her apartment, looking at the courtyard from her Juliet balcony.  I love this “Dior” dress. 

Every detail is thought of:  park benches, fountains, lanterns.

The front door with brass hardware and antique French lanterns.

 The Entry Hall:

The entry hall – with its stone floor.  The door opens to a niche with a beautiful vase. At the left is a sconce and a bust.

And here – Claire returns home;  her butler lets her in.   She’s not accustomed to such luxury!  Just a month ago she was struggling in the freezing Scotland, and now she is a Lady Of Leisure in Paris, which makes for much conflict.

 The Stairs:

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Baserunning for the Ages

Name Year EqGAR EqSBR EqAAR EqHAR EqOAR TotOpps EqBRR EqBRRate
Maury Wills 1962 0.8 13.8 2.3 3.6 0.1 848 20.6 1.26
Willie Wilson 1980 0.5 10.0 4.2 3.9 0.5 741 19.1 1.35
Rickey Henderson 1985 2.6 9.8 1.0 3.1 2.3 663 18.8 1.43
Vince Coleman 1986 0.0 11.0 0.3 0.9 4.2 627 16.4 1.26
Willie Wilson 1979 2.1 9.2 0.7 2.8 0.9 563 15.7 1.33
Eric Davis 1986 -0.3 10.2 0.5 1.7 3.2 403 15.3 1.55
Rickey Henderson 1988 2.3 9.0 1.3 -2.0 3.8 650 14.4 1.27
Vince Coleman 1987 2.5 7.1 1.2 2.4 0.8 723 14.1 1.28
Tim Raines Sr 1983 0.9 7.6 1.8 2.7 0.6 762 13.6 1.22
Bobby Bonds 1972 2.0 6.0 1.6 3.6 0.5 517 13.6 1.42
Kenny Lofton 1993 1.5 8.1 -0.1 4.3 -0.5 717 13.3 1.17
Lonnie Smith 1985 2.8 1.4 2.5 2.9 3.1 460 12.8 1.85
Willie Wilson 1987 0.4 7.1 0.6 3.9 0.7 581 12.6 1.24
Juan Pierre 2007 0.3 4.2 1.9 5.0 0.6 666 12.0 1.40
Davey Lopes 1978 0.6 5.8 1.9 1.4 2.1 580 11.8 1.24
Vince Coleman 1985 1.2 10.7 0.7 0.6 -1.4 665 11.8 1.06
Rickey Henderson 1983 0.9 7.8 1.3 0.1 1.6 609 11.7 1.17
Gary Pettis 1985 2.1 7.4 0.7 0.2 1.3 470 11.7 1.31
Johnny Damon 2000 3.1 2.7 -0.7 4.2 2.2 743 11.5 1.33
Ron LeFlore 1979 2.3 5.6 1.3 1.9 0.4 602 11.5 1.30
Davey Lopes 1975 0.4 8.6 -1.3 2.2 1.4 685 11.4 1.14
Barry Larkin 1995 1.3 5.5 1.2 1.3 1.9 526 11.2 1.31
Tim Raines Sr 1985 1.6 9.4 0.8 -0.6 0.0 726 11.2 1.08
Willie Wilson 1983 1.9 7.0 -0.6 1.4 1.5 532 11.2 1.24
Ivan DeJesus 1978 1.0 2.2 1.7 4.5 1.7 625 11.1 1.38
Hanley Ramirez 2006 3.1 1.7 1.3 3.5 1.5 576 11.0 1.50
Joe Morgan 1975 0.8 6.3 0.9 2.0 0.9 618 10.8 1.27
Ron LeFlore 1980 0.1 11.0 0.3 -0.1 -0.5 611 10.7 0.99
Tim Raines Sr 1987 -0.5 7.2 0.3 2.5 0.9 567 10.4 1.17
Ray Durham 1998 1.2 2.0 1.8 3.6 1.8 611 10.4 1.37
Juan Pierre 2005 3.6 1.7 -0.3 2.5 2.9 665 10.4 1.43
Chone Figgins 2005 4.4 0.7 1.9 2.5 0.8 619 10.3 1.43
Marquis Grissom 1992 -0.3 6.5 2.1 0.1 1.8 567 10.2 1.19
Rickey Henderson 1984 0.9 2.4 2.1 3.9 0.9 599 10.2 1.31
Tim Raines Sr 1982 3.3 5.7 -0.2 1.2 0.1 626 10.1 1.25
Tim Raines Sr 1992 0.3 5.3 1.5 3.0 0.1 669 10.1 1.24
Al Wiggins 1983 0.3 4.1 0.9 0.4 4.4 582 10.0 1.29
Bert Campaneris 1969 1.3 5.8 -0.5 2.5 0.8 565 9.9 1.29
Kenny Lofton 1994 1.7 4.5 -1.1 3.4 1.4 574 9.9 1.23
Ron LeFlore 1978 2.3 5.2 0.6 2.3 -0.6 720 9.9 1.20
Chone Figgins 2006 2.1 0.8 1.6 4.9 0.4 577 9.9 1.48
Omar Moreno 1979 1.5 3.8 0.7 3.0 0.8 619 9.8 1.29
Scott Podsednik 2003 1.8 4.6 1.0 3.2 -0.6 542 9.8 1.34
Joe Morgan 1976 0.1 5.5 0.4 2.7 1.0 504 9.7 1.28
Tom Goodwin 2000 1.0 3.9 1.3 2.9 0.5 445 9.7 1.37
Milt Cuyler 1991 0.9 3.1 2.0 0.8 2.8 438 9.7 1.47
Davey Lopes 1976 0.6 7.3 0.5 1.7 -0.5 508 9.7 1.12
Willie Wilson 1984 1.7 5.1 2.1 0.8 -0.1 530 9.7 1.24
Tony Gwynn 1987 0.3 2.0 1.4 3.5 2.3 682 9.6 1.36
Luis Castillo 2007 1.0 0.6 1.1 3.1 3.8 528 9.6 1.51

...it turns out that when many folks talk about baserunning, theyre not really thinking about discretionary stolen base attempts, but instead that combination of speed, risk taking, and judgment that goes into evaluating situations, and that when aggregated leads us to assert that a particular player is a good baserunner. Since EqSBR is primarily comprised of stolen base attempts (with a few pickoffs thrown in) our new rate statistic, which well christen Equivalent Baserunning Rate (EqBRRate), will omit this aspect.

So...well define EqBRRate as the ratio of actual or total runs to expected runs contributed across the four remaining metrics. Since both values for individual opportunities consider the context and are weighted appropriately (an EqOAR opportunity has both a lower expected and usually actual run value associated with it than an opportunity of EqHAR) and since were eliminating EqSBR, both weaknesses discussed above addressed. To illustrate how this works, lets consider Chone Figgins 2007 season:

Metric Opps TotRuns ExpRuns
EqOAR 314 0.1 1.2
EqGAR 31 3.2 2.6
EqAAR 44 5.7 4.7
EqHAR 53 10.1 5.6
 442 19.0 14.2

Taking the context of the opportunities into account, we would have expected Figgins to net +14.2 runs across the four metrics, but he actually contributed +19.0 runs. When we divide the total by the expected we get a ratio of 1.34, indicating that he contributed, or manufactured if you will, 34 percent more runs than expected.

Name Year EqGAR EqSBR EqAAR EqHAR EqOAR TotOpps EqBRR EqBRRate
Carlos Delgado 2007 -0.4 -0.2 -2.9 -3.6 -0.4 394 -7.5 0.41
Jose Offerman 1992 0.5 -4.9 -1.3 -1.1 -0.7 505 -7.5 0.86
Eddie Murray 1990 -1.2 -4.2 0.2 -3.5 1.1 521 -7.5 0.82
Scott Cooper 1994 0.1 -2.3 -0.4 -5.2 0.3 306 -7.5 0.45
Rick Wilkins 1996 -0.4 -1.7 -1.3 -4.3 0.2 264 -7.6 0.41
Pat Burrell 2005 -0.5 -0.2 -0.7 -5.6 -0.7 368 -7.6 0.42
Randy Milligan 1991 -0.5 -3.7 -0.5 -2.1 -0.8 414 -7.6 0.67
Manny Trillo 1982 -0.1 -4.1 -1.9 -1.9 0.3 430 -7.6 0.72
Larry Sheets 1988 -0.7 -4.3 -0.8 -1.8 -0.2 286 -7.7 0.58
Bill Freehan 1971 -1.1 -3.1 -1.8 -1.7 -0.1 331 -7.8 0.43
Dave Parker 1977 -0.4 -6.4 -0.9 0.7 -0.8 531 -7.8 0.93
Jorge Posada 2007 -1.3 -0.1 -0.7 -4.2 -1.6 507 -7.8 0.59
Ted Simmons 1975 -1.5 -1.7 0.3 -4.8 -0.2 573 -7.9 0.72
Ed Bailey 1963 0.0 -3.9 -0.4 -3.3 -0.4 231 -7.9 0.35
Gene Richards 1982 -1.3 -4.8 0.0 -2.0 0.1 455 -8.0 0.81
Jim Thome 2004 -0.5 -1.4 -3.2 -3.2 0.3 436 -8.0 0.59
David Justice 1997 -0.7 -3.3 -0.3 -3.0 -0.7 398 -8.0 0.61
Dan Meyer 1977 -0.9 -2.0 -1.3 -4.6 0.7 409 -8.1 0.60
Jim Norris 1977 -0.1 -3.8 0.2 -2.9 -1.5 447 -8.1 0.73
Felix Jose 1991 -1.8 -3.5 -2.5 0.7 -1.0 482 -8.1 0.62
Lance Parrish 1979 0.0 -3.7 -2.6 -1.5 -0.4 361 -8.1 0.62
Steve Garvey 1980 -0.4 -5.5 -0.9 -0.8 -0.6 467 -8.1 0.78
Steve Henderson 1983 0.2 -7.5 0.6 -0.7 -0.8 362 -8.2 0.93
Carlos Delgado 2000 -0.6 -1.4 -1.4 -3.6 -1.1 618 -8.2 0.58
Al Oliver 1977 -0.1 -7.0 -0.2 -0.1 -0.8 474 -8.2 0.88
Tom Foley 1988 -0.1 -4.4 -0.4 -1.6 -1.7 279 -8.3 0.53
Dale Berra 1984 1.2 -2.8 -0.9 -5.2 -0.7 297 -8.4 0.57
Tommy McCraw 1972 -0.5 -5.9 -1.5 -0.5 0.0 299 -8.4 0.76
Joe Cunningham 1959 -0.8 -2.3 0.4 -5.3 -0.4 504 -8.5 0.60
Pete OBrien 1984 -0.4 -3.1 -1.4 -2.9 -0.6 428 -8.5 0.52
Kenny Lofton 1997 0.4 -9.4 -0.1 0.6 0.0 539 -8.5 1.06
Frank Thomas 2000 -1.0 -1.6 -1.6 -3.4 -1.0 535 -8.6 0.47
Harold Reynolds 1988 -0.7 -7.8 1.0 -1.2 0.0 535 -8.7 0.95
Eddie Yost 1957 0.3 -5.4 -0.9 -2.8 0.0 394 -8.7 0.62
Joe Morgan 1980 -0.2 -2.0 -0.3 -6.5 0.3 434 -8.8 0.55
Clete Boyer 1970 0.6 -1.6 -0.2 -6.9 -0.8 307 -8.8 0.21
Ed Kranepool 1967 -0.8 -1.9 -0.1 -5.7 -0.4 323 -8.8 0.39
Mike Hargrove 1979 -1.8 -2.3 -0.2 -4.2 -0.5 522 -8.8 0.69
Jose Cruz 1977 -0.1 -8.3 0.5 -1.3 0.3 483 -8.9 0.95
Ernie Whitt 1989 -1.4 -1.0 -1.7 -4.0 -0.9 313 -9.0 0.34
Harmon Killebrew 1970 -0.8 -2.1 -0.7 -4.6 -1.0 435 -9.0 0.56
Tom Pagnozzi 1991 -1.5 -4.8 -0.7 -1.5 -0.8 391 -9.3 0.61
Bob Kearney 1984 -0.1 -2.6 -2.0 -3.8 -0.9 290 -9.4 0.29
Ryan Garko 2007 -1.0 -0.4 0.2 -7.7 -0.5 403 -9.4 0.32
Rod Carew 1982 0.1 -5.5 -0.2 -3.2 -0.7 558 -9.5 0.71
Tom Brunansky 1992 -0.6 -3.1 -1.8 -3.4 -0.7 373 -9.6 0.43
Todd Zeile 1997 -0.5 -4.8 0.0 -4.5 -0.4 484 -10.2 0.64
Mike Epstein 1971 -0.2 -2.5 -2.4 -4.4 -1.1 311 -10.6 0.38
Todd Zeile 1992 -0.7 -4.0 -1.1 -5.4 0.0 425 -11.2 0.52
Tony Bernazard 1984 -0.1 -6.9 -0.3 -3.4 -0.6 364 -11.2 0.62

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